Nothing fixes a thing so intensely in the memory as the wish to forget it. The worst part of holding the memories is not the pain. Naval RavikantĪll that is left will be memories, and eventually they, too, will vanish like dust. Memory and identity are burdens from the past preventing us from living freely in the present. You can predict a lot about a society by seeing their obsession on nostalgia in comparison to their curiosity for future. Past and future are in the mind only – I am now. The past is a nice place to visit, but not the right place to stay. 79 Optimism Quotes To Improve Your Mood (With Images).67 Boredom Quotes That Will Intrigue And Inspire You.100 Loneliness Quotes To Comfort And Inspire You.We didn’t realise we were making memories, we just knew we were having fun. The Past is frozen and no longer flows, and the Present is all lit up with eternal rays. That would be the same as erasing my own self. There is no way I can just erase those memories. Mikala Dwyer is Professor at RMIT’s School of Art.Our reality is an infinite battle between what happened and what we want to remember. “We’re so excited to once again use the museum and its vast collections as a launching pad for new works by another great Australian artist,” Mr Dagostino said. Penelope and the Seahorse builds on Dwyer’s reputation for creating installations that question the conceit of humanity’s reasoning over the non-human world, said Michael Dagostino, Director of Museums and Cultural Engagement at the University of Sydney. Also included are video and sound collaborations with animator Gina Moore and composer James Hayes. It is also a reference to the Greek goddess Penelope who unravelled her weavings every night while waiting for husband Odysseus’s return home.Įtruscan and Greek urns and coins from the museum’s Nicholson Collection of antiquities feature in the exhibition. The exhibition’s name pays homage to the gallery’s eponymous Penelope Seidler. “I’d like us to remember we’re not separate from the natural world, so maybe we should take care of it,” Dwyer said. Without being didactic, she offers a window into future memories and what humanity stands to lose. Penelope and the Seahorse considers the unreliability of history as a collective memory, said Dwyer. “That created another rabbit hole into neuropsychology which I’m still tumbling down,” said Dwyer. ![]() First used to describe the equine creature that pulled Poseidon’s chariot in Greek mythology, hippocampus was adopted centuries later to describe the seahorse genus and the S-shaped brain structures responsible for creating memories. Thoughts of the seahorse turned to the origins of the word hippocampus. “They’re magical creatures with such symbolic resonance.” ![]() “The more you think about them the stranger they are,” said Dwyer. The impetus for Penelope and the Seahorse was a fascination with the seahorse and University of Sydney research into this biologically unique species. Penelope and the Seahorse is the fourth contemporary art project in the museum’s Penelope Gallery the gallery’s ongoing series invites artists to create new works inspired by, or incorporating, museum objects. ![]() A graduate of the University, she taught at the Sydney College of the Arts for 20 years.ĭuring her time at the University, Dwyer developed a familiarity with its extensive museum collections and their “Aladdin’s cave of possibilities”. Dwyer has regularly featured in the Sydney Biennale and her work is held in prominent public art collections across Australia and New Zealand. She has exhibited since 1982, with solo shows at Sydney’s Museum of Contemporary Art, the Art Gallery of NSW and in galleries across Europe. Works by Mikala Dwyer from left: Penelope, Hotel Seahorse and Holohorses.įeaturing sculpture, painting, video and audio works, Mikala Dwyer’s Penelope and the Seahorse explores the word hippocampus and its various meanings.ĭwyer is a one of Australia’s most significant innovators in sculpture, performance and installation, with a long association with the University of Sydney.
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